top of page

About Gil

Gil Gilchrist

Born in Ayr, Scotland, Gil discovered his passion for music at the age of 13 after hearing the Kinks on the radio. During his teenage years that enthusiasm deepened through exposure to bands such as the Pretty Things, the Who, the Byrds and the Searchers. Although his musical tastes expanded across many genres, the blues remained the strongest influence, reinforced by the wave of the

“British Blues Invasion” that defined much of the 1960s and 1970s.

Largely self-taught, Gil developed his guitar style by learning from fellow musicians, studying Berklee charts and playing along with recordings by his favourite artists. Early influences included Eric Clapton, Jeff Beck, Elmore James, George Benson, John McLaughlin and Pat Metheny, later joined by players such as Robben Ford, Danny Gatton and Roy Buchanan. His musical outlook has also been shaped

by artists as diverse as Miles Davis, Nina Simone, Laura Nyro, Free,

Tom Petty, Zero 7 and Weather Report.

International collaboration has been a consistent feature of his career.

In South Africa he worked extensively with Radio Rats,

appearing as lead guitarist on numerous albums since 1990.

A further chapter began in 2009 with the formation of 3mountains,

a collaboration with his wife, Mônica Borges.

Their debut album of original material, Waiting for a Sign, was recorded in her hometown of Belo Horizonte in Brazil and released in 2010,

accompanied by four music videos. Through Mônica’s influence, and that of Brazil’s celebrated Clube da Esquina movement, Gil’s songwriting gradually evolved from blues-rock towards more reflective folk-rock and jazz-inflected compositions.

The last few years have seen a series of solo releases

recorded largely in his studio in Portugal. These include Fire and Snow (2023), Branches of a Dream (2024), Tea With the Apache (2025) and the most recent release Wait. What? (2026), all featuring original blues and folk-rock material.

One of his songs, “Stranger” (from Fire and Snow), was later adapted and recorded as “No Stranger to the Blues” by Snowy White for the album The Way It Is.

Experimentation continues to play a central role in his playing.

In particular, Gil has explored open guitar tunings — especially open B, which he describes as “a tuning that writes its own songs”— as heard in his interpretation

of “Gallows Pole” on Fire and Snow.

Now based in Cascais, Portugal, Gil continues to write and record new material

while remaining active in the Lisbon jam-session scene and performing regularly

at local venues. He is fortunate to have met fine musicians in Portugal

who have contributed to enriching his recordings. All his albums benefit from the sound-engineering expertise of Dave Langemann in Cape Town.  

Video production is handled by Mike Cross in Durban.

bottom of page